Новые поступления

Nathalia Buttface & Most Embarrassing Dad nathalia brodskaya caillebotte
At last something laugh-out-loud funny for girls in this hilarious new series from TV and radio comedy writing talent Nigel Smith. The Most Embarrassing Dad in the World was embarrassing Nathalia even before she was born. He went and married Mum, didn't he? Mum's last name was De Montfort. Thanks to Dad she wasn't Nathalia De Montfort. She was Nathalia Bumole. "It's pronounced Bew-mow-lay," Dad would tell her patiently, time and again. "If anyone says differently, the joke's on them." But as Nathalia knows only too well, the joke will not be on them. It will be on her. Massively. If Nathalia can just keep The Most Embarrassing Dad In The World away from her new school, then maybe he won't ruin everything this time. Maybe.
697 RUR
Master Paintings in the Art Institute of Chicago nathalia brodskaya caillebotte
A key destination for any art lover, the Art Institute of Chicago houses an extraordinary collection of master paintings. Within the covers of this beautiful book, updated to include some recent acquisitions and a new preface by director Douglas Druick, the reader finds an amazing selection of European and American paintings dating from the Renaissance to the present day. Included are singular works by Rembrandt, Rubens, and El Greco; Cassatt, Homer, and J. M. W. Whistler; Degas, Monet, Caillebotte, and Seurat; Picasso, Lichtenstein, Richter, and Twombly.
2667 RUR
Impressionist Art nathalia brodskaya caillebotte
It was a dappled and daubed harbor scene that gave Impressionism its name. When Impression, Sunrise by Claude Monet was exhibited in April 1874, critics seized upon the work’s title and its loose stylistic rendering of light and motion upon water to deride this new, impressionistic tendency in art. As with many seminal art movements, the critics got their comeuppance. Today, Impressionism is close contender for the world’s favorite period of painting. With blockbuster exhibitions, record-breaking auction prices, and packed museums, the works once dismissed as unfinished or imprecise are now beloved for their atmospheric evocation of time and place, as well as the stylistic flair of rapid brushstrokes upon canvas. Despite its popularity and a whole host of publications, many areas and artists of Impressionism remain inadequately researched. This Taschen book fills the gap, raising the profile of unjustly neglected pioneers such as Berthe Morisot, Lucien Pissarro, and Gustave Caillebotte, while exploring the characteristics of Impressionism, from painting en plein air to vivid color contrasts, not only in the movement’s native France but also across the rest of Europe and North America.
1649 RUR
Impressionism, Fashion, and Modernity nathalia brodskaya caillebotte
This volume is the first to explore fashion as a critical aspect of modernity, one that paralleled and many times converged with the development of Impressionism, starting in the 1860s and continuing through the next two decades, when fashion attracted the foremost writers and artists of the day. Although they have depicted fashionable subjects throughout history, for many artists and writers, including Charles Baudelaire, Stephane Mallarme, Emile Zola, Gustave Caillebotte, Edgar Degas, Edouard Manet, Claude Monet, Berthe Morisot, and Pierre-Auguste Renoir, fashion became integral to the search for new literary and visual expression. In a series of essays that examine fashion and its social, cultural, and artistic context during some of the most important years of the Impressionist era – years that also gave birth to the modern fashion industry – a group of fifteen scholars, drawn from five interdisciplinary fields, examine approximately 140 Impressionist-era artworks, including those by dedicated fashion portraitists, in light of the rise of the department store, new working methods for designing clothing, and new social and technological changes that led to the democratization of fashion and, simultaneously, its ascendance as a vehicle for modernity.
4319 RUR
Impressionism nathalia brodskaya caillebotte

Impressionism

2939 RUR
Impressionism nathalia brodskaya caillebotte
Luscious dabs of color and light.  Art history’s most delightful movement   Impressionism continues to be one of the most fascinating movements in the history of modern art. It is also the most popular with the general public. Proof of this has been provided in recent years by blockbuster exhibitions of the works of Degas, Gauguin, van Gogh, Renoir, Toulouse-Lautrec, and Monet, and by record sums realized from the sale of Impressionist paintings. Despite its popularity and a whole host of publications—the majority of them about the most famous names—many areas of Impressionism are still under-researched. Many “second rank” Impressionists have remained unknown or have sunk into oblivion. This monograph fills the gap, as it explores French Impressionism alongside related art movements that flourished simultaneously in the rest of Europe and North America. Part 1 deals with Impressionism in France, including Post- and Neo-Impressionism. As well as discussing the most renowned artists, its aim is to introduce others who are still little-known today. Among them are the long underrated Gustave Caillebotte, represented by 17 paintings, and artists such as Frederic Bazille, Marie Bracquemond, Henri-Edmond Cross, Jean-Louis Forain, Eva Gonzales, Armand Guillaumin, Albert Lebourg, Stanislas Lepine, Maximilien Luce, Berthe Morisot, Lucien Pissarro, Jean-Francois Raffaelli, Henri Rouart, and Victor Vignon. The eight chapters of part 2 focus on paintings inspired by French Impressionism and produced in parallel in the Netherlands, Belgium, Germany, Scandinavia, Eastern and South-Eastern Europe, Italy, Spain, Great Britain, the USA and Canada. Rarely did painters in these countries slavishly copy the ideas emerging from France. Instead, most non-French artists found astonishingly original ways of translating them into the artistic language of their native lands.
2939 RUR